Tag Archives: YouTube

Americana and Roots Music Videos: RPM 5

An occasional series of Americana and roots music videos. Sharing new discoveries, and revisiting old friends.

This started out as a story about my travels throughout the world in a quest to find hidden and long forgotten places of pleasure, often called record stores. Getting down on my hands and knees, pushing through cobwebs and kicking away a dead rodent or two in order to find those elusive hidden musical artifacts that I take home, place on my turntable while pouring myself two fingers of a fine whiskey, and then let the sweet sounds baptize my body and soothe my searing soul.

So that didn’t happen. I’m on the wagon, haven’t stepped on a winged vessel for over six years, and my turntable awaits my oldest son’s ability to rent a van, enlist a helper, and transport it to Brooklyn, where such things are cherished. I surf in the stream and scour YouTube.

Here’s a few things that caught my eyes and ears this season.

There Is Nothing Like Jason Isbell and an Acoustic Guitar

This should hardly be a surprise, as Isbell has been consistently putting out incredible music from back in his days with the Drive-By Truckers, followed by his first solo album in 2007 and those that followed with his band The 400 Unit, named for the psychiatric ward of Eliza Coffee Memorial Hospital in Florence, Alabama. His wife, Amanda Shires, manager Traci Thomas, and Ryan Adams assisted in getting Isbell into treatment for alcohol and cocaine addiction in early 2012 and he now speaks openly about it. He’s intelligent, street smart, has a sharp wit, runs one of the best Twitter accounts you’ll ever follow, he was married to Shires by musician Todd Snider, is a fanatic fan of the beleaguered Atlanta Braves — and I’ll stand on Steve Earle’s coffee table and tell you he is currently the best songwriter we’ve seen since Dylan’s most prolific period, whenever that was. While I prefer him alone with his acoustic, this year I’ve gone back into his catalog from the past ten years, and if you’re a Jason-come-lately, you’d be well served to do the same.

This Is the Dawning of the Age of Geriatrics

The other night I went to see Bob Weir and The Wolf Brothers here in NYC, and as I stepped off the subway and headed up Broadway toward the theater, it was if somebody freeze-dried 1967. People of a certain age were decked out in tie dye or wearing faded concert tees across large stomachs, and as I made my way to the loge I saw one poor soul suffering from an overdose of stool softeners. But the music? First rate and as rockin’ and rollin’ as you might not have expected, but Bobby stretched out on his guitar and sang like I’ve never heard him before. It was truly a wonder to behold.

Along with John Prine, who will likely top every person’s end of the year poll, there has been an avalanche of older musicians who’ve either gone out on tour for the first time in years or written and recorded some great music. Examples would include Willie and Dylan, who never seem to stop touring, the Sweetheart of The Rodeo show which allowed Roger McGuinn and Chris Hillman to show that they still have the chops, and Steve Earle, Lucinda Williams, and Dwight Yoakam criss-crossed the country. Paul McCartney has his first number one album in 36 years, and Diana Ross is killing it in Vegas. Paul Simon went around the world one last time, and I think by now you get the idea: It’s better to burn out than to fade away.

The Year That Americana Music Died

Not that anybody, but a few, cares about such things, but when was the last time you looked at Billboard magazine’s Americana/Folk chart? A few years ago everyone made a big fuss that not only did “our music” warrant a Grammy award (never televised, of course, and who can forget Linda Chorney?), but we also got our own official chart. As I wrote this Simon and Garfunkel’s Greatest Hitsis number nine, followed by Ed Sheeran, John Mayer, Jack Johnson, John Denver, James Taylor, and Jim Croce. Sure, Chris Stapleton occupies both the number one and three spots, but if this is the best we have to show for it — schlock pop and geriatric redux — I’m outta here.

These are the musicians who came out with some kick-ass music this year, in no particular order, and, for at least this week, aren’t on the Americana chart: Dave Alvin and Jimmie Dale Gilmore, Malcolm Holcombe, Lindi Ortega, St. Paul and The Broken Bones, Lula Wiles, I See Hawks In L.A., Laura Veirs, Milk Carton Kids, The Rails, Eliza Gilkyson, Mary Gauthier, The Jayhawks, Modern Mal, Clay Parker and Jodi James, Brandi Carlile, Shemekia Copeland, The Earls of Leicester, Pharis and Jason Romero, Tim Easton, Ry Cooder, Sarah Shook and The Disarmers, The Mammals, John Hiatt, Ed Romanoff, Jules Shear, Hayes Carll, Whitey Morgan, Rosanne Cash, and Colter Wall, to name but a few.

And now the real craziness: Of the top ten albums on this week’s chart from the Americana Music Association, not even one made it on Billboard‘s chart. Thank god for Dale Watson’s Ameripolitan music association or whatever he calls it … they’re gettin’ it right.

Why Ska and Rocksteady Have Gotten My Attention

I haven’t inhaled for over 23 years, have no hair left even if I wanted to grow it out, and never went to Jamaica. But for reasons unknown even to me, this was the year I began to get absorbed into the roots of reggae. Blame it on a small radio station in NYC with the call letters WVIP that spends much of the day hawking vitamin supplements and selling help for your damaged credit reports. But every so often they break out the music, and it’s worth the wait. I’m a white boy who can’t even begin to explain it, but here are a few albums that shouldn’t be too hard to find if you want to dip your toes into the water. Start with Lee “Scratch” Perry and Friends – The Black Ark Years, Everything Crash: The Best of The Ethiopians and then The Story of Rocksteady: 1966-1968.

Video Killed the Radio Star

When was the last time you pulled out your old Low Anthem albums? It’s amazing how great this band is, and after opening on the Lucinda Williams’ tour last year, they recorded and released The Salt Doll Went To Measure the Depth of the Sea. Best album title of the year and just a wonderful group of writers and players.

Anybody who has been paying attention these past ten years knows that I keep going back to Marissa Nadler, the Boston-based singer-songwriter-guitarist-artist who can sing about ex-Byrd Gene Clark, cover a Townes Van Zandt song, and just as easily open for a death metal band in a small club in Germany at three in the morning. When her new album For My Crimes was recently released, it coincided with this nice mention from Richard Thompson in The Quietist:

“My youngest son, Jack, introduced me to Marissa Nadler. Her music is really strange, lovely stuff. I think it’s a little bit linked to shoegazing, or that sound, although I don’t know a lot about that. I find it very mesmerising and very dreamy, especially the way she harmonises with herself. I’m also never quite sure what she’s talking about – there’s lots of ambiguity in her lyrics, which I like. Songs and stories don’t always have to be straight.”

King of The Road: Tribute to Roger Miller is a two-disc album showcasing the songwriting of Miller through artists that span all corners, from Ringo Starr to Asleep At The Wheel, Lyle Lovett to Loretta Lynn. It’s a bit uneven and sadly they really missed the mark on “Husbands and Wives,” one of my favorites. Instead of using the great Jules Shear version above (video from Sherry Wallace), they teamed a mismatched Jamey Johnson with Emmylou Harris and murdered it. Despite that, you can cull a number of great performances here if you pick and choose.

And That’s All There Is Folks … It’s Cartoon Time

This article was originally published as an Easy Ed’s Broadside column over at No Depression: The Journal of Roots Music.

Many of my past columns, articles, and essays can be accessed here at my own site, therealeasyed.com. I also aggregate news and videos on both Flipboard and Facebook as The Real Easy Ed: Americana and Roots Music Daily. My Twitter handle is @therealeasyed and my email address is easyed@therealeasyed.com.

Easy Ed’s Guide to Roots Music Videos

Alan Lomax filming American Patchworks

Hardly a day goes by when I’m not visiting YouTube multiple times, and it’s usually to search for music-related clips or the occasional instructional video on things like how to clean my Magic Bullet smoothie maker, fix a busted radiator hose, or the best way to store bananas. If I’m ever stuck on a tech problem, it seems like there are thousands of 14-year-old kids who have filmed and uploaded detailed solutions. Education, art, fashion, politics, news, old radio shows and television commercials, speeches, health, fitness, 5K parachute jumps off the roof of Dubai skyscrapers, cute cats, funny dogs, and kitchen sinks: If you can think of something you want to know more about, I guarantee you’ll find it. While YouTube is probably the easiest and my favorite roots music video source, there’s a few other places you might want to explore.

I thought I’d share some search tips and links to some of the long-form and historical musical content I’ve come across through the years. But it’s accompanied by a warning and advice: video content often comes and goes like a case of beer and a bag of chips on Super Bowl Sunday. It’s often a now-you-see-it-now-you-don’t proposition, as content owners have the absolute right to demand that it gets pulled off the site, or if they prefer, they can choose to let it stay up and share in the advertising revenue. So keep that in mind. If I share a link that’s dead by the time you read this, just search the title and it’ll likely pop up from another user’s account.

Lost Highway: The Story of American Country

This four-part series was produced back in 2003 and it first aired on BBC and then again on CMT in the United States in 2010. For the latter version, Lyle Lovett was hired to replace the original English narrator. The series traces the history of country music from the Appalachian Mountains and up to the present-day multibillion dollar industry it has become. It is not quite definitive, and there are a number of small but annoying inaccuracies. Nevertheless, it’s a pretty interesting series and you can try this link to start you out. I’ve only found the BBC version so far, but I’ll keep looking for Lyle.

Mother Maybelle’s Carter Scratch

I’m clueless what the origin is of this one, and I wonder if it was perhaps released under a different name. It’s not a documentary per se, but offers a number of clips with an oral history provided by Johnny Cash, Maybelle’s daughters, and a few others. Guitarists will enjoy the focus on her playing style, but it’s not technical in the least. I think much of it comes from The Nashville Network archives, Johnny’s television show, and the Grand Ole Opry. It’s an interesting way to spend an hour. Here’s a sample for you.

Alan Lomax: Archives and Documentaries

Not only did Lomax travel around the world making audio recordings, he also shot a huge amount of film stock. The official Alan Lomax Archive has its own channel on YouTube, and “is a resource for students, researchers, filmmakers, and fans of America’s traditional music and folkways. Shot throughout the American South and Southwest over the course of seven years (1978-1985) in preparation for a PBS series, American Patchwork, which aired in 1991, these videos consist of performances, interviews, and folkloric scenes culled from 400 hours of raw footage, many of which have never been seen publicly.”

American Patchwork consisted of five one-hour documentary films that focused on African American, Appalachian, and Cajun music and dance. While you can search for the individual titles on YouTube, the complete series is best found here. These are the titles of all five: The Land Where the Blues Began, Jazz Parades: Feet Don’t Fail Me Now, Cajun Country, Appalachian Journey, and Dreams and Songs of the Noble Old.

Folkstreams

Connecting documentary filmmakers with niche audiences, Folkstreams is a nonprofit website streaming major films on American vernacular culture. The films on are often produced by independent filmmakers and focus on the culture, struggles, and arts of unnoticed Americans from many different regions and communities. The site is divided into various categories, and if you choose music we’ll probably lose you for a few weeks. There are well over a hundred 30-90 minute documentaries posted covering every area of roots music, including some you never knew existed.

The Johnny Cash Show

This 58-episode series ran from June 7, 1969, to March 31, 1971, on ABC and was taped at the Ryman Auditorium in Nashville. Many of the episodes are scattered throughout YouTube in their entirety or broken into hundreds of individual clips. This was far from the schlock production you might think would have been produced back then, with the first show’s guests featuring Bob Dylan, Joni Mitchell, and Doug Kershaw. Other guests represented all areas of music from blues, folk, country, pop, jazz … you name it. If you haven’t seen it, go forth. Here’s two scoops.

Pete Seeger’s Rainbow Quest

From 1965 to 1966, Pete Seeger hosted 39 episodes of Rainbow Quest. It was taped in black-and-white and featured musicians playing in traditional American music genres such as folk, old-time, bluegrass, and blues. The shows were unrehearsed, there was no studio audience, and songs were often traded between Seeger and his guests.

Odds and Ends

Here’s a few more I’ve found this bottomless well, and I’m sure to have only skimmed the surface.Historic Films Stock Footage Archive seems to have thousands of clips, with a large proportion devoted to music. A&E’s Biography episodes are up on YouTube, and while most aren’t music-related, there are a few gems, including The Everly Brothers and Hank Williams. And in no particular order: Rebel Beat: The History of LA Rockabilly, Rock N’ Roll Country Blues Archive Videos, Grand Old Opry Classics, Town Hall Party, and Smithsonian Folkways channels all deserve two thumbs up.

https://youtu.be/XTn61eEUuz4

This article was originally published as an Easy Ed’s Broadside column over at No Depression: The Journal of Roots Music.

Americana and Roots Music Videos: RPM 3

Museum of Applied Art

An occasional series of Americana and roots music videos. Sharing new discoveries, and revisiting old friends.

Surfing in the digital stream and scouring YouTube for new music, old tunes and whatever I can find of interest. Here’s a few things that caught my eyes and ears this season.

Amilia K Spicer

Amilia’s Wow and Flutter, which was released last year, is full of earworms. Calling her music “red-dirt noir,” she co-produced it with multi-instrumentalist Steve McCormick and put together with the help of friends like Eric Heywood on pedal steel, Tony Gilkyson and Gurf Morlix on guitars, Dylan/Stones bassist Daryl Johnson, and Wallflower/Foo Fighter Rami Jaffee on keyboards. Last week when I told her I couldn’t stop listening to it, she said “Yay! The Glue Album!” And so here we are: tunes that stick like bubblegum on a hot asphalt highway. We’ll kick it off with a live version of Spicer’s “Windchill” and then a video she directed and produced for “Fill Me Up.”

The Tillers

The Tillers‘ self-titled album came out last March and is their fifth in ten years. Based in Cincinnati, they started out playing the great folk classics of the ’50s and ’60s, busking on the corners and playing bars that pass around a hat for tips. Over time they have developed into a super-tight stringband that doesn’t strictly adhere to one genre or another. They often sound like old-time Appalachian, other times they’re the Ramones on acid. They gotta love Iris DeMent’s quote: “The Tillers … I could sit and listen to them all night long!”

Pat Reedy & The Longtime Goners

Pat Reedy is another musician who started out busking, making a name for himself on the streets of New Orleans. He put out a couple of albums with the Longtime Goners of great Cajun-style country before moving to Nashville and morphing into a band of honky-tonk outlaws. He’s an unabashed day-job construction worker who happens to write some great songs, and this summer he and the band are on the road promoting That’s All There Is (And There Ain’t Anymore).

Little Jimmy Dickens and the Columbia Classics Series

I’m going to close this out with two more tunes that each come from older compilations. The first is a Little Jimmy Dickens song that comes from the second volume of the five-disc Columbia Country Classics series. Born in Bolt, West Virginia, and standing at four-foot-eleven, he started out performing as Jimmy The Kid before he was discovered by Roy Acuff and signed to Columbia Records. He was a longtime member of the Grand Ole Opry, joining in 1948 and making his final appearance just weeks before he passed away at age 94. Along with Hank Williams, Minnie Pearl, and her husband Henry Cannon, he co-wrote “Hey Good Lookin’” sitting on an airplane in 1951. Only Williams got the songwriting credit.

Dave Rawlings Machine

Back in 2014 there was a one-night-only concert in New York’s Town Hall that was released as a film documentary along with a soundtrack album titled Another Day, Another Time: Celebrating the Music of Inside Llewyn Davis. It was far better than the original fictionalized feature film depicting a ’60s folksinger, and featured a ton of musicians, including Gillian Welch and Dave Rawlings, the Punch Brothers, Elvis Costello, Jack White, Joan Baez, and Marcus Mumford, and it was produced by T Bone Burnett. For me, this is the standout track, and in these unsettling times, one that really sticks.

his article was originally published as an Easy Ed’s Broadside column over at No Depression: The Journal of Roots Music.